Look Who’s Feeling: New Haptic Tech Plus Sexbots May Equal Endless Erotic Possibilities

M. Christian
5 Min Read

How next-gen artificial companions could borrow a page or two from the Magic Kingdom’s Audio-Animatronics

If you’re a regular reader, you’re likely well aware of how many—sometimes wildly unique—approaches there have been to bringing a sense of touch to virtual reality experiences or, what we’re here for, giving synthetic companions ultra-lifelike, human-feeling skins.

Enter a pair of University of California, Santa Barbara researchers who’ve taken yet another angle: a display that allows viewers to feel as well as see what they’re looking at.

Though in its early stages, the work of PhD candidate Max Linnander and professor Yon Visell of the university’s RE Touch Lab could be what sexbot developers have been looking for—with a little help from, of all people, Disney’s Audio-Animatronics Imagineers.

Feeling the Future

Published in Science Robotics, the Linnander and Visell system employs a network of millimeter-wide optotactile pixels that, when struck from behind by a low-intensity laser, illuminate and—courtesy of each pixel’s built-in air pocket—produce a small but haptically detectable bump.

RECOMMENDED READ: Touching Tomorrow: High Tech Sensory Toy Heralds a New Era for Synthetic Companions

“I put my finger on the pixel and felt a clear tactile pulse whenever the light flashed,” Yon Visell told Futurity. “That was a special moment—the moment we knew the core idea could work.”

Yon Visell further explained that the technology was scalable, demonstrated by the team already producing an impressive 1,500-pixel screen; far more than any other haptic displays before or since.

Touching Tomorrow

Here’s where Disney might come in. You see, while for many years their theme park Audio-Animatronics relied on relatively simple mechanisms in order to perform equally limited facial movements, their famous Imagineers recently began thinking outside that clunky old box.

Recently patented—and already part of many of their attractions—rather than struggling to give their figures realistic expressions, they made them almost featureless, essentially blank surfaces given life by networks of computer-controlled, motion-tracking projectors.

All fine and/or dandy for static theme park attractions, though not so much for hopefully-movable—or perhaps someday fully ambulatory—artificial companions.

Agreed, we might be getting a bit out there technology-wise, but we might someday be able to marry the RE Touch Lab’s work with a novel take on projection mapping by swapping an external image source for an interior one.

For example, imagine our artificial robot’s skin as either a full-body haptic display screen, one capable of looking and feeling however you or anyone wants, or just a tactile surface with colors, patterns, and so forth illuminated from within.

Embracing the Possibilities

Obviously, the former would be preferable. But even if the technology is decades away, having a user-configurable, fully haptic head has a lot going for it. No less so, how, like Disney’s new Audio-Animatronics, it could do everything a human face can do without any of the distressingly odd, uncanny valley awkwardness of a mechanical replica.

Additionally, you would be able to change everything about it—color, textures, expressions, the list goes on and on—without needing to replace one head with another: merely tap a special smartphone app and, lo and behold, your companion can resemble whoever you desire.

And compliments of an advanced version of RE Touch Lab tech, it would also feel however you want. Probably the most challenging, as you would need to create a microscopic array of specialized optotactiles—kind of like how our tongues have different taste buds—in order to replicate as a pulsating array of different sensations, it’s still a possibility. Albeit one we may not see for a decade or more—a lot more.

As we like to say when discussing these and other exciting new haptic technologies, the RE Touch Lab’s work—or (ahem) borrowing from Disney’s Imagineers—may not get us where we want to go. In all likelihood, what will be is going to be a little of this, a little of that, mixed in with a hefty dose of good, old-fashioned creativity.

Which, when you think about it, has already helped us fulfill so many of our sexually futuristic fantasies—and, in the process, showed us there’s nothing we can’t do if we put our minds and especially our imaginations to it.

Image Sources: Depositphotos

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M.Christian (they/them) loves nothing better than exploring the intersections of sex and technology—and speculating on the future of both. A highly regarded erotica writer they have six novels,12 collections, 100+ short stories, and 25 anthologies as an editor to their name. Their non-fiction regularly appears in many sites, but they're most proud of being a regular contributor to Future of Sex. Of their erotic fiction, Tristan Taormino said that “M.Christian is a literary stylist of the highest caliber: smart, funny, frightening, sexy—there's nothing [they] can't write about… and brilliantly.” Reflecting their unique ability to sympathetically and convincingly write for a range of genders and sexual orientations, their stories have appeared in multiple editions of Best American Erotica, Best Gay Erotica, Best Lesbian Erotica, The Mammoth Books of Erotica, and others. Their collection of gay erotic fiction, Dirty Words, was a finalist for the Lambda Literary Award. While a majority of their stories have been collected into books like Dirty Words, their fondness for combining sex and science fiction is clearly evident in collections that include Rude Mechanicals, Technorotica, Better Than The Real Thing, Skin Effect Effect, Bachelor Machine, and Hard Drive: The Best Sci-Fi Erotica of M.Christian. As a novelist, M.Christian’s versatility is on full display with Running Dry, The Very Bloody Marys, Brushes, Painted Doll; and the somewhat controversial queer BDSM/horror/thrillers Finger's Breadth, and Me2. M.Christian has worked on the industry’s production side as an Associate Publisher for Renaissance E Books and as a Publisher for Digital Parchment Services. The latter dedicated to celebrating the works of science-fiction legends such as William Rotsler, Jerome Bixby, Jody Scott, Arthur Byron Cover, Ernest Hogan, and James Van Hise. Covering topics like BDSM safety, sexual education, senior sexuality concerns, queer and gender issues, plus reviewing a variety of sex tech products, M.Christian’s non-fiction has appeared on sites like Kinkly, Tickle.Life, Sexpert, Queer Majority, Sex for Every Body, and—of course—their ongoing work for Future of Sex. If there’s anything M.Christian enjoys more than writing, it’s teaching. A featured presenter, sometimes with their friend Ralph Greco Jr, at national sex and BDSM events, they have lectured on kink play (with an emphasis on safety), polyamory, boosting sexual creativity, and erotica writing--for beginners or those wanting to go pro. M.Christian is a cohost on two popular sex-education podcasts: Love’s Outer Limits with Dr. Amy Marsh and Licking Non-Vanilla with Ralph Greco, Jr.